I have subscribed to the Guardian’s art and culture section, and I find many of the things I read there interesting and educational, in a very good sense. What I mean, is that it makes me come across stuff, I would not know about otherwise, stuff which takes my imagination and thinking in new directions. Well, I guess that is one of the things art is supposed to do. But that is rarely what newspapers do.
As an example, here is Jonathan Jones musing about Why Albrecht Altdorfer’s masterpiece gives him nightmares and the reader responses.
guydenning comments: I think, with the inscription floating around in finest script at the top, it almost predates modern TV (or early 20th century cinema) news reporting of war. Turning the terrible into a visual entertainment under the allegedly laudable excuse of education.
And somebody with the nick damienhurst writes: well, I certainly adore the craft involved in this painting but it really keeps amazing me how people can’t really understand that such paintings are basically equivalent to today’s commercials. this one even has a “brand logo” there on top.
That is certainly food for thought about the relationship between art and war, the human, terror and the sublime and, of course, the relationship (or battles?) between word and image, and their producers and audiences.
The picture can be dowloaded from wikimedia